GHOST WRITES

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  • Amalgam-Tober Day 6: The Knight Without Fear

    Amalgam-Tober Day 6: The Knight Without Fear

    I made a promise to myself when I started this project that I’d try to include as many “new” characters as possible in these amalgams. I wanted to focus on those that didn’t even exist yet when the original Amalgam Universe was born. What I didn’t realize was that I was going to include characters this new. But after reading the freshly released “One Cold Day In Hell” by Charles Soule and Steve Mcniven, the inspiration was hard to ignore. 

    I have been really struggling with Amalgamizing (is that a word? It is now!) Batman and Daredevil. The two just belong together, they just… fit. They are pieces of the same puzzle. You’ve probably seen the many posts comparing the two and how they should swap names since bats are blind and use echo location similar to Daredevil and Batman is just a guy jumping around rooftops so he should be a Daredevil yadda yadda yadda – and no matter how baseline that idea might be, it is kind of fun to explore. But it all just felt a little too obvious. I needed an angle, and after reading “One Cold Day In Hell”, I had my angle.

    “CDIH” – as I will now be referring to it as – is a Dark Knight Returns pastiche. The old hero returns for a final outing, inspiring the next generation alongside a young girl. There is obviously more to either story but it boils down to the same thing and both books do it very well. So, as an homage to an homage, I pushed together two of the most iconic pieces of Frank Miller imagery and Steve McNiven’s tweaked Daredevil design and created today’s AmalgamTober entry.

    I started off the design with a much more frail looking figure akin to Matt’s appearance in “CDIH” but quickly realized that I was just drawing Daredevil with a bat on his chest. Thus I switched to that more bulky and square Old Man Bruce design, it needed an extra element to drive home that this is Matt and Bruce together and not just a weird Daredevil design. An unintentional comparison that this color scheme and design evokes is that of the original Batman designs drawn up by Bob Kane, who shared a similar red suit and big belt. Now I’m not a big fan of Bob Kane, so don’t take this as an endorsement, but I did sort of lean into it as a fun nod.

    Finally I also added the blindfold around his eyes. I always enjoy a Daredevil design that forgoes the eyes on his helmet, it adds to the whole blind justice angle that makes the character interesting as well as making him just generally stand out among his many, MANY, peers. It adds a level of fluidity to the piece that I like, not to mention that I couldn’t get the angle of the eyes right and just kind of gave up!

    I hope you enjoy today’s piece and I hope you check out “Daredevil: Cold Day In Hell” – which I assume will be collected early next year in trade?

  • Amalgam-Tober Day 5: The Absolute Immortal Mindfucker

    Amalgam-Tober Day 5: The Absolute Immortal Mindfucker

    A rare three-way-multi-dimensional Amalgam, The Absolute Martian Mindfucker is an amalgamation of The Hulk, Martian Manhunter and his Absolute counterpart. When I started off this amalgam, I wasn’t planning on touching on the Absolute version of the character. I had originally started off just combining Bruce Banner and J’onn J’onzz; the transforming that both characters can do, while juxtaposing the involuntary and grotesque nature of The Hulk with the voluntary and often more “cool” nature of Martian Manhunter really attracted me to this combination but then when I started thinking about backstory more pieces fell into place and I realised just how perfectly this could work.

    An alien, whose homeworld has been destroyed, is sent out into space as a last ditch effort of survival. On his search for a habitable world he finds Earth, a planet entirely similar to his original home world, including a little spot beaming with the exact radiation that made his home so fertile. Once landed, he finds a barren land of orange sand and dead shrubs, with the only signs of intelligent life being the man-made towers of steel, echoing a strange noise – a countdown. Confused by the new sounds and sights surrounding him, it takes the Martian a few moments to realize there’s a strange creature running at him. Bruce Banner, a human man who holds life sacred so much he’s willing to sacrifice himself to save this alien life-form . The man screams something in a language alien to the martian before pushing him down to the ground as a blast of green light and smoke rips past them. Both of their senses erupt, their bodies are torn to shreds and remade on the spot as gamma radiation courses through their bodies – they change. 

    This is where my original plan for this character started to diverge. I was planning on taking Martian Manhunter’s origin – Where J’onn meets a kind earth scientist who passes away due to shock from the whole ordeal – and sort of interject Bruce Banner’s origin in the middle of it. Bruce would save J’onn like he did Rick Jones in the original story but die in the process instead of turning into the Hulk. J’onn would then take his place and become Bruce Banner. But then why was there a Hulk? I tried out designs for a skinnier hulk that resembled a Martian (Heavily inspired by Darwyn Cooke’s Martian design from “New Frontier”) but they all came out looking incredibly dull. Not being an Amalgam of anyone but more-so an entirely new character in some iterations while looking too much like J’onn and not enough like Hulk in others. 

    That’s where Absolute Martian Manhunter comes in. I realized that literally merging the two characters, instead of one becoming the other, would work much better for what I wanted to do. The idea that this Martian would essentially take over Bruce’s body really appealed to me, but instead of being this mental presence guiding Bruce like the Absolute version does to John, my version actually physically takes over when he needs to. It also helps that the Absolute Martian Manhunter has a few physical characteristics that are much easier to smush together with the iconography of the Hulk.

    Which brings me to the Immortal parts of this character. Beyond the body horror elements that I implemented, I also want to use some of the motivation from Al Ewing’s time on the character. Ewing imbued the mythos of the green giant with a thick layer of environmentalism – putting the character on a crusade against all those in power who oppose his mission to save the earth. This is the last piece of the puzzle that is the “Absolute Immortal Mindfucker”. With the entire death of his home planet burned in his psyche, the Martian inside Bruce grows increasingly angry at the state of humanity and how careless they are with their planet. Not only does this add a really interesting layer to this character, it also creates that similar tension between Bruce and his inner personality (being the Martian in this iteration instead of the Hulk) that has defined the Hulk mythos. 

    It took a lot of retrofitting but I’m really happy with the final result. Getting to adapt a more recent creation like Absolute Martian Manhunter is exactly why I so enjoy doing these and I highly recommend reading Deniz Camp’s and Javier Rodriguez’ book if you haven’t done so already! (as well as Immortal Hulk – duh!). Thank you for reading and I hope you check back here tomorrow!

  • Amalgam-Tober Day 4: Blue-Spider (Jaime Morales)

    Amalgam-Tober Day 4: Blue-Spider (Jaime Morales)

    Now this is the real reason I combined Peter Parker and Ted Kord for yesterday’s Amalgam. While those two ultimately fit together very well, putting their legacies together fits even more perfectly. Jaime Reyes’ Blue Beetle and Miles Morales’ Spider-Man are incredibly similar characters. Both young men who stumble on their bug-related-powers by accident, both bilingual, who use their love for anime to make big awesome swords. 

    While this is a Miles and Jaime Amalgamation first, I do also want to take some parts of Peter Parker’s Spider-Man mythology and mix that into the history of the Blue Spider-Scarab. Mainly I want to take the whole Ezekiel Sims character and kind of turn him into this universe’s Dan Garrett (The Original – Original Blue Beetle). Here’s the mythical history of the Blue Spider-Scarab; Years prior to the first boom of meta-humans, an interstellar race of super-engineers created the Spider as a weapon – a suit that functions both for the Offensive side of combat as it does the Defensive. But when a battle sends the weapon hurdling towards earth, a man finds it and gains the powers of a spider. Battling lowlife thugs and gangsters in the shadows of his city, The Blue-Spider tries to do his best in his battle against evil, but in an age without supervillains, this first Blue-Spider’s career does not go on for long, going down in myth after removing the Spider-Scarab from his body. Yet, the myth is enough to inspire people years down the line; A group of scientists try to recreate the Spider using a synthetic formula injected into a real life spider. But when the Spider escapes and ends up biting a young Ted Parker, Ted reignites the Blue-Spider moniker and dons his very own blue suit.

    Years down the line, Ted, now a mega successful inventor who runs Parker Industries to fund his superhero career, is visited by the original Blue-Spider, who tells him all about the original Spider. But Ted’s investigation is cut short when the Spider-Scarab is stolen from his office. 

    Cut to; Jaime Morales’ cousin gives him a strange, blue, glowing Spider “Paperweight” for his 15th birthday. Jaime’s cousin, Alfonso, works at Parker Industries as a technical consultant and being a little fed up with the job, took Ted’s Spider right from his desk, assuming it’s just some rich guy’s piece of junk. But that night, the spider grants Miles powers beyond his wildest imagination. Now, alongside Ted Parker, Jaime becomes the Blue-Spider!

    The design was pretty easy. Miles’ suit is really quite simple, with the chest Spider and Webbing being the only two things that make it a “spider” suit. Taking into account the alien-origin of the suit I decided it’d be best to use Jaime’s suit as the base and put those aforementioned elements from Miles’ suit on top of it. I changed the thick scarab on Jaime’s chest into a spider, as well as the back scarab and had the legs wrap around his body from both sides. I enlarged the beetle eyes into something more akin to the big classic Spider-Man goggles and then added a webshooter to the suit. 

    While the idea and design were pretty easy, getting the final piece out was a struggle. I could not settle on a pose or style. I had him hanging, jumping, fighting and sticking to walls but all of those poses meant I had to sacrifice necessary details of the suit. That’s why I ended up with quite the boring pose at the end. 

    Thank you for reading all of this – it’s the longest character biography I’ve given these drawings thus far – and I hope you check out tomorrow’s post as well.

  • Amalgam-Tober Day 3: Blue-Spider (Ted Parker)

    Amalgam-Tober Day 3: Blue-Spider (Ted Parker)

    When I decided to put Peter Parker together with Ted Kord I did it for a few reasons; One has to remain a mystery till a later date, one is the general bug themed nature of both characters but the more interesting reason is Steve Ditko. Many know Ditko as the creator of Spider-Man, which is without a doubt his biggest creation at Marvel, but it’s lesser known that he is also the mind behind Ted Kord’s Blue Beetle (among other characters for Charlton Comics, who all migrated to the DC Universe after the latter bought the former). I’ve always been interested in putting these characters together beyond just “They’re both evil” or “They both wear red”, and getting to mix in the real life history of comics into these is always a plus. 

    Obviously today’s piece is based on Spidey’s first appearance on the cover of Amazing Fantasy #15 (drawn by Jack “The King” Kirby funnily enough – not Ditko himself) – an idea I had when I stumbled on the Marvel Redraw account on twitter (does that mean I also amalgamated two art challenges into one?). I combined the titles of “Amazing Fantasy” and “Mystery Men Comics” (in which the original Blue Beetle debuted) but kept most of the overall cover design the same. 

    The design really came out pretty quickly; I kept the overall color scheme of Ted Kord’s suit while shifting the usual Beetle design on his chest into something more spider-like and making the eye goggles visually similar to that of Spidey’s lenses. Obviously I had to keep a little bit of webbing on the chest because it can’t be a spidey design without webs.

    Thanks for checking out today’s Amalgam and I hope you check back tomorrow for another! 

  • Amalgam-Tober Day 2: Polka-Spot Man

    Amalgam-Tober Day 2: Polka-Spot Man

    Polka-Spot Man, however odd or funny he might be, is why this whooolllleeee challenge exists. I drew this quite a few weeks ago and it triggered something in me. I drew another one and another one and before I knew it I had like five Amalgam’s in my files collecting dust. That’s how I got the idea for this. I must also then admit that I am cheating just a little bit here, most of these DrawTober challenges are obviously done daily but with my private life and just general procrastination problems, this is just not a goal I’ll reach. 

    Putting The Spot and Polka-Dot Man together is kind of a no-brainer; C-tier villains who are just a little bit sad and both use circular dots for their superpowers – they’re basically the same guy. I took the general color scheme usually associated with Polka-Dot Man (Specifically the off-white suit look from his onscreen debut) and then stuck it on top of The Spot. 

    There is not a lot else to go off of here. The name is fun, naming these guys has been the hardest part of this challenge (as you’ll find out soon enough), but with names that fit together this well it’s a treat to do. 

    Thank you for checking today’s Amalgam out and be sure to check back tomorrow as well!

  • Amalgam-Tober Day 1: Access

    Amalgam-Tober Day 1: Access

    It’s Day One of AmalgamTober, with our first entry this month being ACCESS, the only Marvel and DC Co-Owned character that’s ever existed. Obviously it’s not ideal to start AMALGAM-tober with a character that is not an Amalgamation, but why not start my homage to the Amalgam Universe by honoring this little known anomaly!

    When I started this drawing I expected to go with a more civilian outfit – I had imagined giving him this letterman jacket with a big A on the chest. Cheesy, I know, but felt fitting for his enormous cornball energy. But after finalising my rough sketch I realized there really wasn’t that much interesting going on so I tried something more striking instead. Another idea I started with that did make it to the final piece, although it’s all a little less clear because I decided to color the whole thing in red and blue and nothing else, was the fact that Axel has Heterochromia. One of his eyes is blue while the other one is red – not just because it’s aesthetically pleasing but I also imagined it as a sort of physical representation of him being able to see into both realities. Easily hopping between dimension whenever he’s needed.

    Why did I decide to draw Axel to start this challenge? I don’t know. But I do know how vital he is to my pitch for a potential new DC / Marvel Crossover. This idea has fleshed itself out more and more as I’ve spent the last few weeks thinking, living, and breathing Marvel and DC crossovers – so why not just go ahead and post it. Now I won’t post all of it at once, I need a little more time to write it all out, but I will incrementally over the coming month drop more chapters to flesh the whole thing out.

    Anyway thank you for checking out Day One of this challenge – Hope I get to see you tag along over the coming weeks because I have some really fun pieces coming up that I’m very proud of! See you tomorrow!

  • Brand New Day Could be Adapting The Craziest Punisher Story Ever

    Brand New Day Could be Adapting The Craziest Punisher Story Ever

    After many months of delays, rewrites and speculations it seems that “Spider-Man: Brand New Day” is finally starting production, and with it a load of new theories about what this fourth solo-Spidey film could entail. Even though more and more set photos leak, castings are announced and Twitter leakers continue to flap their gums, the story of the MCU’s latest Spider-Man film is not becoming any clearer. So far we know shockingly little about the film besides some official casting (which have quite frankly only made this entire thing more confusing) and unofficial rumors. Truly one of the only things we know for sure is the inclusion of Frank Castle, who will be starring alongside Peter Parker in this adventure, though to what his role in the story may be remains to be seen. Yet, what if I said I had an idea – a theory that, though based on set pictures and credible rumors, seems so implausibly plausible that I couldn’t even decide if I should keep it to myself or not. A theory that, if true, could create one of the most controversial takes on these characters we’ve ever seen. Let me explain.

    This theory popped into my head like lightning. I was scrolling on Twitter reading about the leaks that were happening because of the beginning of “Brand New Day’s” shoot when the idea just appeared – it hit me like a truck… or a tank. See there had been a picture taken of this big tank, set to rampage through the fake New York City streets – and on it we see a red devil logo, adding a menacing touch to the already imposing vehicle. Many assumed that this devil is a connection to Martin Li, better known as Mister Negative, who fans have been waiting to see in live action for a while now. Following this a lot of people ran with that assumption, speculating about how and why Martin Li could be involved in the story. Yet, as plausible as that is, scooper DanielRPK did also tease that Punisher will be the one driving the vehicle – it is after all not really the style of Li and his goons to drive a huge tank like that. So why would Frank drive a tank branded by the Inner Demons? That’s the question I posed myself when I realized it.. what if it’s not Mr. Negative, what if it’s not the inner demons or anything even remotely associated with that – what if it’s The Hand!

    Do you guys remember The Hand, of course you do. The bad guys from “Daredevil” season 2 and then “The Defenders” and I guess they were also in a bunch of Iron Fist episodes. The Hand were a big deal in the MCU for a while (during the Netflix era of the MCU that is, the canon of it all still remains a little vague but I’m pretty sure it’s all MCU now… right?) so why not bring them back? “Because it doesn’t make any sense!” I hear you say – to which I can only say: “Yeah! That’s what I thought too, but maybe it does make sense!”. For starters, there is precedent in the comics for it. It was only a few years ago when Jason Aaron launched his Punisher series, in which Frank got recruited by the Hand to serve as “The Fist of The Beast” – so there is precedent to have The Hand return – this time in Frank’s world instead of Matt’s. Sure, This was a pretty controversial time for the character, loved by one half of the audience and despised by the other half, so I understand it might not seem like the most obvious of stories to adapt but there is more evidence that this whole thing could be happening. 

    We know the street level side of the MCU has up until this point been almost exclusively explored in “Daredevil: Born Again”. The show has largely been inspired by Charles Soule’s time writing the Daredevil comics but – with its season finale – is steadily morphing into something more akin to Chip Zdarsky’s books. It is during his tenure on Daredevil that Jason Aaron started writing his Punisher book, leading to a lot of crossover between the two stories. It wouldn’t be a stretch to think the creatives behind “Born Again” and this new street level saga in the MCU have read those Punisher books as well – maybe they even liked them so much they’re planning on adapting it in some way – and where better to start than a highly anticipated Spider-Man film?!

    Obviously it would also end up tying into Daredevil, but It’s not like it doesn’t fit into the narrative “Born Again” has been building. Frank obviously escapes Fisk’s detainment and I’m sure revenge is at the forefront of his mind right now but with Fisk’s mayoral influence spreading and the Anti-Vigilante task force growing in strength, Frank needs a serious upgrade to get that payback he so craves. The Hand could be that payback. He gains a serious boost in strength and abilities during his time with them – upgrades Matt’s little army cannot possible grant him. On top of that we also know Frank is not too keen on Matt’s way of doing things, so joining his Vigilante team isn’t in the cards either. Yet joining The Hand would only fuel the ferocity of his ways, he’d become the unstoppable crime-destroying force he could never be before – now aided by an unstoppable ninja army as a bonus. 

    This would need to be explored in both the second season of Born Again as well as the Punisher special Bernthal is currently filming – and from set photos and videos it doesn’t seem like mysticism is all that involved yet BUT, there is some more evidence pointing towards a return of The Hand in the near future. Look, it is quite a stretch but Elodie Yung, who portrayed Elektra in Season 2 of “Daredevil” and then returned for “The Defenders” series as well, did post an instagram picture that could hint towards a Daredevil return… really it’s only because she used a devil emoji in her caption but a lead is a lead and as a real Geek-tective I have to take into account every lead I get. “Born Again” Producer Sana Amanat also stated a desire to have the character return when the first season debuted earlier this year, saying; “One hundred percent it’s in the back of our heads. Eventually, we’ll try to figure out a bit more with that.” So we know this is something they’ve been thinking about, who knows how quickly they figured it out. 

    It could also be that the idea stemmed from the “BND” team instead, realizing Frank and The Hand neatly slotted into what they were already building. We’ve heard two substantial rumors over the course of BND’s pre-production; first off, the film would be street level, featuring many lower class villains for Peter to face off against over the course of the film. On top of that rumors indicated that Silver Samurai and Viper could also be making an appearance as a more bigger looming threat, possibly orchestrating whatever scheme Peter finds himself in. If both of these leaks turn out to be true it would serve as the metaphorical glue holding these two sides of the theory together given that the Silver Samurai and The Hand are both major players in Marvel’s Japanese organized crime world.

    I imagine it going something like this – Silver Samurai and Viper are concocting some sort of plan, I say they’re supplying the New York underworld with weapons, and Spider-Man catches wind of that some way or another. Let’s say he runs into a couple of villains like Boomerang and Scorpion sporting crazy upgraded weaponry which sets him on a path to finding out where they’re getting it from. It’s on that path that he crosses The Hand, being led by Frank. The Hand is on a crusade to rid the city of these weapons as well but classic comic book confusion will get in the way of an initial team-up (like it always does) as Punisher and Spider-Man face off against each other – both under the assumption that the other one is orchestrating this weapons-business. Obviously after a big fight breaks out (possibly the one we’re witnessing being filmed right now) the two characters team-up to thwart Silver Samurai and Viper (A team-up is something the synopsis released earlier this week backs up). 

    Who knows, this could even lead to a fun post-credits-sequence that sees Matt visiting Peter while on his friendly-neighborhood-patrol, warning him that Frank is dangerous, that his methods are wrong and that any friend of the Hand is an enemy of Daredevil – a very organic way of having the two characters meet up finally. It could even be a great slow-burn problem for Matt which he has to put on the backburner while dealing with Fisk in season 2, a problem that grows stronger and stronger everyday they are not put in their place. Zdarsky’s book actually features a ton of animosity between Frank and Matt, a dynamic I’d love to see recreated by Cox and Bernthal given just how well they’ve adapted that butting-heads relationship before.

    Now truth be told, this all doesn’t fit in together as neatly as I would like, there are still so many loose ends that need to be tied up to make this all make sense. Why is Hulk involved for instance? And where do all those other villains fit in? Or what about Jon Bernthal, he’s producing the Punisher special and I do not think he’s completely down to go in such a mystical route (even though this could be explained away by just depowering Frank compared to his comic counterpart) – let alone the fans, how would they react to such a wild departure from the Frank they know and love. Many questions still remain but I can’t deny that I kind of love this idea. I’m one of those people who appreciated what Aaron did with his Punisher book and seeing that play out in the MCU would be cool. You can’t tell me that a Sword wielding unstoppable Punisher doesn’t sound like a hell of a good time!?

    What do you think? Am I making sense? And let me know if you have any good theories about Brand New Day that you’d like to talk about. As always, give me a follow wherever you can and make sure to stick around for more articles about Marvel, Spider-Man and comics in general!

  • DC Studios’ Missing Piece – And How To Fix It!

    DC Studios’ Missing Piece – And How To Fix It!

    The DCU has started. With the release of “Superman”, James Gunn and Peter Safran’s new cinematic DC Universe has finally and properly gotten off the ground (quite literally, Superman flies around – get it?). And as the future of the studio becomes clearer with each passing day – as more of these projects get the greenlight – it’s also quite apparent that one side of the DC universe seems to be largely ignored. Where is the magic? For a slate of films titled “Gods and Monsters” there is shockingly little magic to be found in the upcoming roster, even though it’s a force that bonds the gods and monsters together in a major way. 

    Magic has been a long time fixture in DC comics, spawning fan favorite characters, teams and books. DC’s magical side exploded into popularity under the Vertigo publishing line, putting out some of the most creative, critically acclaimed and successful books the company has ever seen and is to this day one of the most fertile grounds for groundbreaking storytelling. Magic bleeds into almost every facet of the DC universe; Superman, Batman, Wonder Woman, Green Lantern, hell even the Flash, they all deal with magic on a (semi) regular basis. But looking at the slate of projects currently worked on over at WB it seems that a magic focused project isn’t really at the forefront yet. Yes, Magical characters will show up in some of the projects announced to be in production so far, I’m sure of that – Updates on the project have been sparse since its announcement but James Mangold’s Swamp Thing surely deals with magic in some capacity, the Paradise Lost show (which will definitely morph into a Wonder Woman: Historia project by-the-way) has to feature heaps of magic if it wants to be faithful to its source material and Circe already showed magical prowess in Creature Commandos – yet none of those projects put the magicians in the lead. A weird phenomenon given how much excitement there is about these characters. 

    Many magical DC-characters could lend themselves well to a solo big-screen adventure or a big-budget-miniseries on HBO MAX; Constantine is a fan favorite, so is Zatanna, Dr. Fate is already a familiar face for audiences (that is, at least to all twelve people that saw Black Adam), Hell, you could even put them all together in a little team-up and you finally get yourself a nice Justice League Dark project. But while there are many cool and exciting possibilities we could talk about today, there is one DC book that would make for a perfect exploration to this side of DC’s mythos. The highly underrated 1990 miniseries “Books Of Magic”. 

    BOOKS OF MAGIC

    Books of Magic is a 4 issue miniseries created by Neil Gaiman, John Bolton, Charles Vess, Paul Johnson, and Scott Hampton, that introduces Tim Hunter to the DC universe, a young boy destined to become a great and powerful wizard, but whose future is still left uncertain as forces of both good and evil pine for his soul. When evil mystic forces want to corrupt Tim and turn him over to the dark side of magic, a group of mystical detectives, referred to as the Trenchcoat Brigade, come together to guide Tim on a journey that will decide not just his future, but also that of the entire DC universe. The brigade, consisting of Doctor Occult, Mister E, Phantom Stranger and fan favorite John Constantine, take Tim on a journey that has him interact with almost every notable mystic in the DC universe. All of the characters that I mentioned as potential tv-and-movie-leads cross paths with Tim, as well as a bunch of others including The Endless and Madame Xanadu. This, to me, lends itself perfectly to a prestige 5 or 6 episode miniseries for HBO MAX.

    This book is such a good choice for the start of this new universe for one reason; Tim. Tim is a perfect audience surrogate, he is learning all of these crazy new secrets about the world on his journey through the past, present and future, just like the audience is doing. We introduce this world through his eyes and we can organically explain and define what magic is in this universe without it feeling forced or boring. Things never get too big for Tim, so they don’t get too big for audiences either. This is even more fitting when you realize just how well established the DCU already is. There are all these things already going on, so many stories have already happened, and Tim learning about this whole new secret layer to all of that would be an identical position to the audience.

    But the reasons why don’t end there.

    Paired up with Tim is the aforementioned Trenchcoat Brigade, a collection of characters who lend themselves well to the story we want to tell here. One of them, John Constantine, is a fan favorite character that can pull in a large number of viewers, making this a good creative idea as well as a business strategy – and while the other three are admittedly much more niche, that has never been a problem for Gunn’s productions. If anything Gunn thrives using these characters, I’m sure a realized version of this idea would see these three characters slightly tweaked and morphed into perfect versions for this type of story at the hands of Gunn, Safran and whoever else they’d bring in to produce this story (Ideally that person would be me, they should bring in me, I will send you my phone number, James).

    The original book sees Tim pair up with a new member of the brigade every issue, creating four distinct adventures over the course of four issues that explore the past, present and future of the DC universe as well as several adjacent realms. While this four part structure works perfectly for the original comic book, adapting it to a HBO-like-format would require an extra episode or two, Fleshing out the world, characters and mostly Tim with more detail compared to the original mini-series – Luckily for you, I also know just how to do that. Bring in Zatanna.

    Those of you who happen to have read the original 4 issue run know that the second issue takes place in the present day – as Constantine takes Tim through the modern-day DC universe and has him interact with this large cast of familiar faces. Among that cast of characters is Zatanna, who second only to Constantine himself, is probably the most well known magic user DC has in their roster. In the book, right after meeting up with her, Constantine is suddenly called away to go do something else, leaving Tim behind in Zatanna’s home. The two characters then have their own little adventure which, while I think it works very well in the book, needs to be remodeled for an adaptation like this. This is the part of the book where the show needs to kind of diverge from its source material and make Zatanna and Tim’s journey an entire episode in-and-of-itself – compared to the last pages of a different story. This could be ideal for a few reasons: Zatanna is a big deal in the comics, she’s a lot of fun and people are very aware of her already – even if she’s never been featured in a live action film adaptation. Giving her this little moment in the spotlight would make fans very happy, plus it would give us a different angle to approach the whole Tim mentorship with. Zatanna isn’t like any of the other members of the trenchcoat brigade, she would bring a unique maturity and kindness to TIm’s journey that I feel could mean a lot for him and dictate which side of the coin the young boy ends up choosing. She, because of her heritage and who her father was, has also been thrust into the world without really having a say in it, which is a great point to explore between the two. Also, Most of those big players in DC’s magic world, those who we will want to see more of in the DCU going forward (Like Deadman, who’s already been teased by Gunn on Instagram) appear in that second issue, so giving that part of the book a little bit more time to breathe could benefit audiences greatly. This is what we want from an interconnected universe like this, getting to know this wide tapestry of characters bit by bit. Plus, and let’s be honest here, Constantine will be the main draw of the show, no matter how good every other aspect is, audiences will be drawn to him first, by splitting his story up into multiple parts and injecting Zatanna in between those, fans will get to see a lot more of this fan favorite character.

    There is material for an additional sixth episode as well to be found in the last issue of the book. While I would in no way shape or form suggest that the ending to the original miniseries isn’t great, it’s one of the most unique and engaging endings of the Vertigo era, it might lack a little bit of flashiness for a big budget TV show. I don’t want to spoil what happens in the fourth issue (read Books of Magic if you haven’t) so this next bit might sound a little vague, but you could extend the material from the fourth issue into two episodes. Tim and Mister E travel through the future by foot until they arrive at the end of everything, the death of the universe and the death of Destiny. This climactic issue is filled with wild visuals and manages to surprise the reading audience by revealing a major twist right near the finish line. Using this twist to split this last issue in half would give this part of the story – one overflowing with lore, visuals and action –  some much needed breathing room and help audiences stomach the insanity that is present in the final stretch of Tim’s journey.

    If you’re curious about the book and want to delve deeper into it, I highly recommend checking it out. Though I must also address that, while the book is great and a LOT of writers and artists have left their fingerprint on it, it is a Neil Gaiman book – and that could be an issue for some people. I know it was a weird moment to be writing this article (I’d completed work on it several weeks before the Gaiman allegations came out but was waiting on a good moment to share this when that article was released about him), I just hope the book can still get its moment in the sun for those who worked on it that aren’t literal monsters. So fuck Neil Gaiman!

    Do you have any future DCU projects you’d like to see? Put them in the comments because I’d love to hear it. And would you be interested to see more magic in the DCU? Make sure to follow Ghost-Writes for more articles about DC studios, DC comics and a whole lot more geeky topics!

  • Iron Man V Superman: Starting a Cinematic Universe

    Iron Man V Superman: Starting a Cinematic Universe

    LOOK UP! It is finally upon us. The Summer of Superman is reaching new heights as audiences slowly but surely flock into theaters to watch James Gunn’s “Superman” film. A weirdly momentous moment for a whole platitude of reasons. Of course for starters: Hopefully it’ll turn the public’s perception of the blue boy scout around after a few years of middling wide-spread success – but, maybe more importantly, it’ll also kickstart a brand new Cinematic-Superhero-Universe, something DC, under the WB umbrella, has been trying to accomplish for a decade now. After their first attempt slowly fizzled out into increasingly confusing course corrections, leaving the entire brand tarnished in a ditch, James Gunn now holds the reins to the DC universe and his take on the “Man Of Tomorrow” is set to start it all off in a big way. But is “Superman” enough to get audiences back to the big screen for one of comics’ oldest and most iconic universes? Having seen it, I am not so sure…

    Before I get into why, maybe we should look back to the past, back to where it all began. Back to 2008. Back to Jon Favreau’s “Iron Man”. The movie that started it all – the movie that launched the Marvel Cinematic Universe, a monumental achievement in blockbuster film-making that studios have tried – and failed – to replicate ever since. The MCU seems to be this unobtainable gem to these conglomerate studios, time and time again they try to launch their own universes, releasing spin-offs and remakes and big-budget-blockbusters to absolutely no success. Valiant comics tried to start up a universe with Vin Diesel’s “Bloodshot” film – an attempt so laughable I had to take a minute to recoup after finishing typing the previous sentence. Sony Pictures really did try their hardest to make the SPUMM universe work (Sony Pictures Universe of Marvel Movies) – releasing a whole slate of critically, and often commercially, panned films for almost a decade – and Universal will always live in infamy over their Dark Universe announcement photo. Yet Marvel somehow managed to avoid that, they managed to create this incredible sprawling universe, surviving even after steadily releasing unimaginable levels of MID for half-a-decade.

    DC does have a lot of good faith going for it at the moment, it seems like audiences are excited to see more of this universe and “Superman” is projected to do good; this is the closest I think we’ve ever gotten to a studio replicating that MCU formula for success. Yet it’s the general audiences that need to be onboard the most, and that’s where I’m afraid “Superman” will lose people. 

    Gunn’s “Superman” is a comic book movie. It is the silver age brought to life, not only in design and feel but also in story structure. The entire thing plays out like a series single issues played in rapid succession, you can almost see where each issue would end and the next would start if this were a 6 issue mini-series instead of a big Hollywood blockbuster; a quality the film both suffers from as it does excel in. Because yes, it’s so refreshing to see a movie actually respect this medium that is often only used to be gutted for parts and “inspiration” – giving us scenes that feel like their ripped straight out of a comic book – silliness and wackiness included, yet it can also feel out of place at times. All the wackiness takes up screen time that I would’ve personally much rather seen used on other more important things like… I don’t know… characterization maybe!

    CHARACTERIZATION

    See, when a comic book consistently throws characters at me like Guy Gardner, Hawkgirl, Mr Terrific or even Jimmy Olsen, I’m totally down to roll with that. I know what I can and need to expect in a big-two/canon comic book – them’s the rules and I love the medium for it – but that is a completely different way of storytelling, the medium makes that work, when you apply that same story-structure to the first movie of your big franchise it becomes convoluted, stuffed to the brim with characters that I cannot imagine general audiences would be into at first glance. I’ve seen many people compare the films narrative to that of a random single issue in a 30+ issue comic book run and I totally get that, there’s so much lore and story that is only being hinted at or referred to but never actually shown that it can become convoluted – even for someone like me, who is aware of all this stuff on a not-so-normal level.

    Here’s where Iron Man comes in. Iron Man is a comic book film, yes; it has most of the things that make Iron Man who he is and is as faithful as I think time allowed it to be. But it is also a movie. It’s a film that uses the language and structure of said medium to adapt the comics – and I don’t think “Superman” does the same. “Superman” is so faithful to the comic book medium that, at times, it ends up feeling like less of a movie because of it. At times it can feel more like a series of Rick and Morty episodes strung together, with all the characters and all the different settings pulling the movie in so many different directions making the entire thing feel messy and detached from one-another. 

    Imagine a version of Iron Man 2008, with the same cast and the same runtime, but it also includes Whiplash and The Crimson Dynamo as henchmen for Obadiah Stane. That’d already be a pretty stacked film right? But then, when Iron Man keeps running into the West Coast Avengers for some reason, things become even more convoluted. Instead of the great moments between Tony and Rhodey, you’d instead get a scene where Tigra rips apart bad guys or instead of getting the cheeseburger scene with Happy and Tony, Hawkeye shows up instead to get made fun of for his bow and arrow skills. Yeah it’s fun on paper but when you think of what you get instead – what these characters are replacing in the runtime – you realize it might not make for a more satisfying final product. “Superman” is that film.

    Take the Daily Planet. A staple of the Superman mythos attached to a plethora of iconic side characters to the Superman expanded cast and vital to understanding the character of Clark Kent. I was so excited to see what Gunn was cooking with the Daily Planet. All the casting was great, I know Gunn can handle a group of big colorful characters like the Daily Planet crew and we’ve been sorely lacking a nice faithful adaptation of this side of the DC world for decades now. Yet, in the final film, they’re kind of… absent. Sure yeah they’re in the film and they have like a funny scene… but that is it. They have a scene. One maybe two scenes dedicated to the entire group. They are not in it nearly enough for how important their subplot is to the main story. Most egregious of all, one member of the Daily Planet, maybe the most vital member, is only in the film for about 2 minutes total (if not less)…  and that is Clark Kent. 

    Yes, Clark Kent is in the film for mere moments. The rest of the film is entirely dedicated to Superman. In a way I can appreciate that the film doesn’t ever make the audience believe Clark and Superman are different characters – Clark is Clark, no matter if he wears the costume or the glasses – yet characters in the film don’t know that obviously. There is an entire investigation in the film led by Lois and Jimmy that then directly ties into the final act of the film and guess what! Clark does not help a single bit. He’s so absent from the Daily Planet no one is even really concerned about him not being there. The entirety of Metropolis is evacuated in the third act, the whole crew evacuate the Daily Planet building together (that’s the only scene in the film that features them all interacting by the way) and no one is like… “Where’s Clark?”. Not a funny remark from Steve calling Clark a wuss for sitting this out or Perry White yelling out for him during the commotion. No, Kent’s presence is barely acknowledged throughout the whole film? WHY? Because instead I’m watching this weird alien creature Lex Luthor created for some reason. There’s a huge disconnect between plotline: Superman and plotline: Daily Planet – which makes the latter feel weirdly inconsequential given how much it ties into the third act. 

    And it’s not like the Justice Gang gets enough shine because of it. The exact same issues I have with the Daily Planet arise with the Justice Gang. I know nothing about these characters, about what makes them tick, what they’re like and what having them here adds to the final story beyond what I already knew about them going in. Yes, Mr. Terrific leaves a lasting impression sure, but I wouldn’t say he’s a really fleshed put character. Again, general audiences don’t have the luxury of having comic-book-brain-worms that make you store useless capeshit information in your head like some of us do. They will just be left wondering who they just saw flying around the film without ever getting an answer (until some of these guys ultimately get their own HBO miniseries or whatever). 

    It’s an even bigger shame because Gunn is clearly gifted at characterization. He made audiences fall in love with Rocket Raccoon of all characters and even in this film it’s obvious just how good he is at it. Jimmy is really fun, he might be the only supporting character that actually works in the entire film. There’s also a really nice moment where Perry White listens to Lois’ story as the entire office melts down in a panic. Character beats like that work so well but the movie just doesn’t have enough of those moments to engage you fully. 

    INTENT V EXPECTATION

    But where I think Iron Man and Superman differ the most, where I think these films’ paths leading to Cinematic Universes diverge most is with Intent and with Expectation. Superman is being released in a completely different cultural landscape compared to Iron man. The movie industry, fandom, culture as a whole has so drastically changed since 2008 (a lot of that stemming from the existence of the MCU) and audiences expectations have shifted alongside that change. “Iron Man”, unlike all the other attempts we’ve touched on so far – including “Superman” – didn’t know what it was capable of doing. Not Feige, Not the studios’, not even the audience knew what this could grow into (I’m sure there were hopes and dreams of course, but no one could’ve expected what happened). That’s the difference. Now everyone knows what Superman is gonna become, they know they can expect more – as do the studios and filmmakers. They’re launching a cinematic-universe knowing full well that, post “Guardians Of The Galaxy”, you can get away with putting a bunch of colorful stuff in your film. But I don’t think you wanna start by going at a 100 percent, “Iron Man” barely started at ten and the MCU didn’t go to one-hundred until like 5 years later.

    You need to set that foundation first. You need to grow your world from the characters, not the behind the scenes chitter-chat and background easter eggs – audiences want fully realized main characters and side characters they can really sink their teeth into, that’s how you get them onboard, that is how you get them to come back. Think of that first wave of MCU films and how those side-characters, still to this moment in the MCU, are relevant and fan favorites. Bucky, Pepper, Happy, Loki, Rhodey – these characters are the backbone of the universe and I just don’t think the DC Studios universe is starting off strong in that regard. 

    I’m not just saying this about the DC universe to be a prick, Marvel is suffering from the exact same thing at the moment (fans had to patiently wait on Karen Page to return in the Born Again finally before they could finally get some engaging characters back, for instance). Fact of the matter is I want all of this to succeed. I want to see more DC projects get the greenlight, I wanna see The Justice League finally form in a meaningful way, I want Batman and Superman to team-up for once, I want more deep-cut characters to get solo projects. But it needs to be engaging first which is why I think this start is a little bit rocky. Luckily rocky isn’t disastrous – I’m not trying to bait people and say “JAMES GUNN FAILED, THE DC UNIVERSE IS DEAD, LONG LIVE DADDY FEIGE!!!” – far from it. Like I said, I think the cinematic future of DC is looking incredibly bright and i’m so excited to see more of it, I’ve just been burned so many times – I’ve seen so many off these films underperform and get destroyed by the general public that I really hope Superman comes out of this blockbuster-summer unscathed. 

    What do you think? Did you like Superman? And what’re you hoping to see from the future of DC movies? Let me know in the comments and follow Ghost-Writes wherever you can for more ramblings about DC, Marvel and the rest of the comic book industry.

  • What To Read: Daredevil: Born Again

    What To Read: Daredevil: Born Again

    We live in a day and age filled with comic book adaptations. Movies starring our favorite superheroes, villains, anti-heroes and pulpy characters seem to pop up every month, tv shows adapting cult classic independent books are released so fast you can barely keep up with it and every now and again they even try to adapt the books we love for the stage (to middling success). Yet the stories that inspire these films and shows often get overlooked. The books that breathe life and color into these – often inferior – adaptations are sometimes completely ignored when a major studio gets their claws into them, a trend that frustrates me endlessly. That’s why I’m starting this series, where we look at upcoming comic book adaptations and discuss the books that inspired them, so you know what to pick up next time you’re in your local comic book shop.

    Today we will be looking at Marvel Studios’ latest straight-to-streaming series “Daredevil: Born Again”, a continuation of the original Netflix show that released in 2015. With the episodes that have released so far we know a little of what to expect, but for those who want to know more, this list is for you. 

    Spoilers for the first 3 episodes of “Daredevil Born Again” from here on out!

    Daredevil by Charles Soule

    If you want to be prepared for “Born Again”, you need to start here. Charles Soule’s time on the Daredevil title is without a doubt the foundation on which this new season is built, not only introducing you to new-comers like Muse, but it’s also the book that kick-started Wilson Fisk’s reign over New York City, a storyline which will slowly make its way into the MCU in Born Again.

    Charles Soule’s run is quite wonderful; After Mark Waid’s took Matt into a lighter and more colorful direction in his critically lauded run on the character, Soule proceeds to rip Matt back into darkness, into the shadows of Hell’s Kitchen all the while sporting an amazing black suit and a gritty new personality. Especially that last part seems to have inspired “Born Again” at least a little, as we know Matt is going to go through some rough shit at the start of the season, dictating his personality for the entire rest of the show. 

    But it’s not just Matt’s MCU path laid out by Soule’s time on the book, it seems like Wilson Fisk might just be inspired by Soule as well. Soule took Fisk and his dirty operations out from the city’s seedy underbelly and brought him to new levels of power by making The Kingpin of New York City its newest mayor. We obviously saw Fisk becoming the Mayor of New York in the show’s first episode and I’m excited to see how the show tackles his new rise to power. One of my favorite moments from Soule’s time on the book (that I will refrain from spoiling) happens after he’s appointed as New York’s mayor so I truly hope the MCU will do this storyline justice.

    The most obvious hint towards a possible Soule adaptation though is Muse’s inclusion in the show. The artistic serial killer introduced by Soule and Ron Garney is making his on-screen debut in the new show, setting the stage for what I can only assume to be some gore-y mayhem.

    Soule’s time on the character is a wonderful return to tone, perfect for anyone who loves the Netflix Daredevil series and wants more of that gritty feel. Soule brings a unique flavor to the book with his background as a real lawyer, perfectly balancing the work of Matt and the work of Daredevil into an exciting saga filled with amazing art by a stellar line-up of artists.

    Daredevil by Chip Zdarsky

    Unlike most of these lists I write, this is mostly a pretty chronological list of books I’m recommending. After Soule quit his time on the Daredevil title came Zdarsky, taking over the saga of Matt Murdock and running with it in a new yet familiar direction. Zdarsky’s Matt is still gritty, still that catholic boy grown up wracked with guilt and anger, but he’s also just sort of beaten down. He’s tired, hurt and broken. All of which catches up to him in a major way when he faces a gang of low-tier street thugs and makes a mistake he can’t turn back. Trailers for Born Again have suggested that Matt will make a similar mistake early on in the show which is where the similarities between these two takes on the character start. 

    While Soule started Fisk’s reign over New York as Mayor, Zdarsky is the one who fledges it out into the same territory I expect from the MCU. While this might not be super important yet, I can’t imagine this stuff won’t be touched upon later in the show. Maybe that’s in the show’s next season set to release next year or it could be touched upon in other shows / movies as the street-level saga of the MCU starts to take shape. 

    Zdarsky’s time on the character spans multiple books making it a little bit more difficult to read the entire thing in one go. Essentially, this story is split up over 3 parts; starting with Daredevil (2019) issue #1 which ends and leads into “Devil’s Reign” – the 7 issue event with plethora of tie-in issues that connect to it- and finally ending with 2022’s Daredevil run. Those first two parts are most important for those who wanna get ready for “Born Again” and the future of the MCU. Many of these similar lists will tell you to skip that last part of Zdarsky’s saga as its magical “Hand” focused story might put off those looking for a gritty crime drama, but personally I have to disagree. If you wanna experience Zdarsky’s voice for Matt to its fullest, you need that last stretch to fully make it all make sense, it brings the entire thing together and wraps up one of the most satisfying runs the character has ever had. 

    The show also includes a bunch of minor characters from Zdarsky’s run; We know we’ll see Cole North in the show, a rough and tough cop who comes after Daredevil in Zdarsky’s run but quickly learns the importance of his role as the Devil Of Hell’s Kitchen. The show’s version of Bullseye seems inspired by Zdarsky’s run as well, with Poindexter donning a suit inspired by Checchetto’s design and newly introduced character Daniel Blake reminds me a lot of Zdarsky creation Butch Farris.

    Daredevil by Brian Michael Bendis

    Now we skip back in time to the early 2000s, way before either Zdarsky or Soule took over on the Daredevil title, before the character had appeared on Netflix and even before Ben Affleck donned the red leather on the big screen. Before all of that we had Brian Michael Bendis’ phenomenal run on the character. 

    The Bendis era is amazing. It’s Bendis at his best as he effortlessly seemed to create a narrative that spanned 50+ issues without ever taking a breather or having a fill-in issue to pad for time. He draws in from all corners of the Marvel Universe – which he seemed to be running during the early 2000s – to create his own little cohesive street-level world within this larger universe of capes and tights.

    The only reason this series isn’t higher on this list is because I just don’t see that much of it factoring in during the MCU’s“Born Again”. Some of Bendis’ storylines might be adapted later on (though I expect that to be more-so a season 3 or 4 story than a season 2 plot) but for now not all of his 50+ issues are exactly important if you want to immerse yourself in the world of the MCU show. What is important to read though is the White Tiger arc, a storyline the show has taken major inspiration from in episode 2 and 3. Sure, there are some differences the show has made that fans might not be entirely agreeing with, but if you want a glimpse at the story of Hector Ayala in the comics, this is the book to pick up.

    Nobody does the grit, the angst and the violence of Daredevil better than Bendis, leaving his mark on the character forever, infusing any adaptation off the character with that little extra something that makes Daredevil stand out from the rest of the Marvel universe. 

    Honorable Mentions

    Since the Man Without Fear has such an incredible track record in comics, with an unrivaled amount of classic and critically acclaimed runs under his name, I think it best if I give you all a little run down off other amazing Daredevil stories you should check out, even if they might not tie in with the new show’s story as much as the previous entries have. 

    Obviously the show takes its title from the seminal “Born Again” arc by Frank Miller and David Mazzucchelli, which might be one of Daredevil’s greatest and most classic stories ever told. Yet the show and the book truly don’t bear any resemblance to each other, with the story instead being the main inspiration for the Netflix show’s third season. Still, picking up “Born Again” cannot do you any harm, it is a truly astounding read and I dare you not to fall in love with Miller and Mazzuccchelli’s work instantly. 

    Since I put Bendis’ run on here I do also feel like checking out Brubaker’s follow up run is a good idea. Not only do the two stories directly lead into each other, but the book also features the death of Foggy Nelson, a major plot point in the MCU show as we’ve come to learn. If the rest off the book is adapted into the show as well remains to be seen, but no matter what the book is still very solid and the perfect supplement to Bendis’ time on the title. 

    One of the show’s newest additions to the Daredevil world is that of Kristen McDuffie, whom Matt decides to set up a law-firm with in the show after Foggy’s supposed passing. Kirsten is heavily featured in Mark Waid’s run on Daredevil which – and I understand I am repeating myself here, but Daredevil just has this many hits under his belt – is another modern day classic run on the character. 

    There are many more incredible Daredevil titles for you to revel in, and I certainly hope you do check out more once you’ve gotten through this list, but for now these are all the books I think you’ll want to read as you dive in Matt’s return to the small screen. Are there any titles you think I’ve missed? And how are you liking the MCU show so far? Let me know in the comments or on my socials and be sure to follow us as to not miss any Daredevil coverage (and believe me, there is more on the way)