GHOST WRITES

Tag: Captain America

  • The Doomsday Project

    The Doomsday Project

     – Doomsday is coming-

    In exactly one year from now – 365 days – 8760 hours – 525600 minutes – The MCU will come to some sort of grand conclusion. Wrapping up the last quarter century of cinematic superhero films into an extravaganza blockbuster. Yet there have been many bumps in the road on this long journey that the MCU has taken us on. It’s safe to say that, after many cinematic duds – both financial and critical – and television shows that failed to gather audiences in a substantial way, the MCU isn’t standing on as-solid-a-foundation as it did when they had their previous big event with Infinity War and Endgame. I’ll be the first to say that I am the opposite of excited for Doomsday, both because of the lackluster build up to it as well as everything else we know about the film, yet I feel there are parts of this grand tapestry that work very well. Some of the pieces that are and have been in play for the last 7 years are incredibly fun and exciting and could lead to some very satisfying world-building – yet it’s just not working, is it!?

    That’s what “Project Doomsday” is. A series of articles in which I try to remold “The Sacred Timeline” into something more palpable, something more exciting and engaging then what we have now. How? Well it’s simple really: just rewrite half a decade of film-making in a year’s time. 

    Okay not really, I won’t be delivering like 12 whole screenplays about a bunch of movies I don’t really care about: this is more an exercise in improving. In using the knowledge I have off this universe, the comics, the entire Marvel world and smashing it together to hopefully deliver a version of this story that makes people more excited to see it all culminate in Doomsday and Secret Wars. That’s also where the limitations of this challenge come into play. I’m not doing a fanfiction thing. Don’t expect me to be like: “I hate She Hulk! What if She-Hulk was actually Iron Man 4 and in Iron Man 4 no one is WOKE and all the ladies are sexy!” – if you want that then go write your own stuff, I’m sure it’ll be wonderful buddy! No, I’m really trying to keep Phase 4-through-6 intact, I won’t take out any movies or shows from the already existing line-up and I’ll try not to add a billion-trillion extra shows and films (I might add one or two but that’s an idea for later). I will use what is there and just shift it into something else. 

    I will change a lot about those movies though. Yes, I’ll try to keep most of them intact, I don’t really want to completely overhaul these stories but I’ll definitely change them in substantial ways. Most of the casts of these films will remain the same, A lot of the story beats will remain the same and endings are mostly already set in stone given what I need to work towards, but things will be different. To give you a little hint as to my first project: My version of “The Marvels” will NOT feature any body-swapping quantum-band hijinks – nor will it feature Nick Fury in a substantial role, but it will of course feature all the titular Marvels (I won’t give away too much else though).

    I also won’t be changing ALL of the projects released in the last 7 years. Realistically speaking I’ll only be overhauling like 20 percent of what’s there (especially since phase 4-6 features something around 35 projects, which is quite frankly ridiculous) but I will be overhauling some of the major films released. If you’re expecting me to really dig into “Echo” or “Moon Knight” you can set those expectations a little lower. These projects are largely inconsequential to the already predetermined roadmap leading to Doomsday and will not be any more important in my version. That does not mean that I’ll be tackling every major hit the MCU has had either – Thunderbolts fans can rest soundly knowing I don’t see any reason to change what is already there. 

    This brings me to my final point: Don’t read too much into this, please. I am doing this for fun, I’m doing this because it’s simple and low-stakes and if I mess up I won’t accidentally flush 200 million of Mickey Mouse’s hard earned dollars down the drain. Filmmaking is hard and hindsight is 2020. Of course my job is a million times easier than what Feige and his compatriots have had to do post Endgame – I don’t envy them at all (Maybe I envy them a little bit). I just think I can do something fun with what is there and I wanna show people that work.

    Establishing the Timeline:

    I wanna make sure everyone knows our jumping off point, You’ll need to know what is and isn’t canon as we go into the project. First off, the most obvious point to make: Everything released pre-Endgame is canon, that includes Endgame. The Infinity Saga is off-limits. The first few Phase 4 releases are also largely off-limits. Wandavision, Falcon and Winter Soldier, Black Widow as well as the first season of Loki will need to be almost completely intact for this to work. The set-up in those shows are too important for the future of this Saga to fuck with- if I did we’d be getting a completely different story and that is not what I’m trying to do. 

    As my articles go on over the next few months I’ll be updating what is and isn’t canon as these projects go on. To streamline this I’ll be updating this handy little timeline in every article as well:

    You’ll find similar timelines in each article to kind of give you a sense of what has and hasn’t happened. Some shows and films won’t get complete overhauls but I will change aspects of them so things mesh better with my new canon, if that happens you’ll see a little “CANON NOTE” where I’ll explain the details of what changes. 

    I think those are all the rules. I hope so at least. If more rules pop up i’m sure everyone will figure it out. You can expect part 1 of this project to be released before the end of this year. With that said: 

    In exactly 364 days from now – 8759 hours – 525594 minutes –  Doomsday will arrive.

    (I thought of this ticking clock idea two weeks ago and then Marvel Studios decided to copy me actually!)

  • Thrillers Or Spectacle: The MCU Dillemma

    Thrillers Or Spectacle: The MCU Dillemma

    Marvel Studios’ latest cinema release, “Captain America: Brave New World”, is the umpteenth film in a long line of projects developed by the movie-conglomerate to disappoint fans. While there are many factors to consider in the film’s critical failure – some just and others unjust – one of the most prevalent points I keep hearing online is the unmet expectation of an “Espionage Thriller”. People seem to be champing at the bit for a gritty spy flick that takes the bureaucracy of the Marvel Universe and runs with it to create a tense, world shattering, conspiracy that only the heroes of this world can fix. That craving has been prevailing for years now while films and series released under the MCU banner promising to deliver on this specific genre more often than not end up being quite bad. We’ve seen it with “Secret Invasion”, a spectacular misfire that tried to turn the gigantic comic book event of the same name into a small scale conspiracy story to little success, and before that we also got the solo Black Widow film that seemed to be interested in relighting this gritty fire missing for so long. While that movie certainly isn’t as bad as “Secret Invasion” was, it definitely wasn’t great either; quickly falling back into the studios’ worst habits and turning into a generic action film with forgettable set pieces. So why are MCU fans still hung up on this genre if the studio can’t seem to ever get it right? Why do they think Feige and his creative partners are even capable of making a film of that kind?

    Well before we can even answer that question I say we need to take a step back and ask a bigger question instead; “Has Marvel ever made a real espionage thriller?”. I say Yes and No. You see the MCU and its hordes of fans have been chasing one high ever since 2014, hoping to fill the “Captain America: The Winter Soldier” sized cavern left by the studio. A movie so good it might end up being a negative for the MCU in the long run. “The Winter Soldier” was something so incredibly fresh, so invigorating and cool, that fans have elevated their standards to such a degree that any and all attempts at recreating the magic have fallen on deaf-ears. But, and pardon my bluntness, do MCU fans really know what they’re talking about? Or have they been chasing an unachievable high left by a film that never even really existed in the way they remember? I think so. See I agree that“The Winter Soldier” is good, it’s a tense mystery filled with great action, but any great Espionage Thriller needs that bit of realism embedded in it to create stakes. It needs to grip you, relate to you and the fears you have about the world. It needs to take from real world issues and use that to create something gripping and tense. It needs politics, an identity, maybe a little anger aimed at the world as it is. But “The Winter Soldier” has absolutely nothing to say about anything besides a surface level “good vs bad” narrative. Sure, inspired by actual political thrillers from the past like “All The President’s Men” and “Three Days Of The Condor”, “Winter Soldier” might make you feel like you’re watching something meaningful, but it’s only ever an emulation of said genre rather than actually trying to be it.

    The MCU is maybe one of the most apolitical worlds you’ll ever see on the big screen, where any real world conundrum about race or war or equality or every other very basic surface level political interest is reduced to a minor hurdle in the road to a large world ending threat or even ignored all together. I can’t remember the last time one of these movies actually used it’s heightened – super – version of reality to put a mirror up to the real world, not even using it’s super-powered foundation as an allegory for real world problems, which is probably one of the MCU’s most apparent short-comings given that almost every comic book that’s even come close to being lauded a masterpiece by general readers builds entire narratives around that exact enhanced mirror. It seems Feige and the upper-creatives at Marvel Studios are desperate to say as little as possible, often only saying things when convenient for them rather than for any artistic reasoning. 

    “But Ghost, The MCU is built on a foundation of social commentary, didn’t you see Iron Man! He hates weapons!” I hear you yell at your digital screen, and yes, Iron Man certainly tries to say something about… war I guess? That making weapons is bad… unless you use the weapon yourself? I think that’s what Iron Man tries to say, I can’t be sure though as any meaningful – though very confusing and muddled – message you try to squeeze out of the first Iron Man film is in fact buried underneath a thick layer of genuine US Military propaganda. I know I’m far from the first person to have spoken about this but Marvel has on numerous occasions (including on the production of “Iron Man”) actively worked with the US Military for their films, including giving the Department Of Defense final say on the film’s script in exchange for access to real military equipment for the film’s production. Marvel traded their entire artistic integrity just to pay a little less. A spineless decision for a quick buck. 

    Now I don’t want to get ahead of myself here but… I feel like we’ve sort of found ourselves at the root cause of this issue fairly quickly. It’s money, because of course it is. I know, I know, what a boring conclusion to come to, but I can’t help that we are living in a world built atop a foundation of currency over humanity. When you make art with the sole purpose of making money from it, you’re gonna end up saying nothing, because saying something means you’ll undoubtedly step on someone’s toes – and that person is not paying for a ticket to see your next film about a purple guy trying to kill a spider-guy. You can only make billions by making movies for everyone, which means you have to also appeal to everyone, thus saying nothing in the process. Because if you didn’t appeal to everyone, you’d end up only making hundreds of millions of dollars at once, and who’d want that when you could be making a billion instead? 

    There is honestly only one MCU project that I believe dares to say something even remotely controversial ; “The Falcon and The Winter Soldier” (coincidentally a project independent from Box Office numbers since it’s a streaming series not a cinematic release) A story all about a black man becoming Captain America, this show simply couldn’t not make a statement about race and what it means to be black in America. By mirroring the real life vitriol Sam Wilson (and in extension Anthony Mackie) got for portraying the new Captain America, this show was the only thing actually willing to take a stand against that hate and by adding Isaiah Bradley to the story the show also managed to use that enhanced mirror I mentioned previously to create a really solid series. Sure, the political commentary isn’t all that scathing and falls on deaf ears for a lot of its run time, but even a small step in the right direction will get you to where you need to be eventually. Yet then, when it’s time to give Sam his own solo film, when it’s time to put Isaiah on the big screen and to continue making that same statement, the studio instead flops over into something else, a spineless film about nothing. Absolutely nothing. In a time where elections are maybe the most important they’ve ever been, Marvel studios makes a film about the president turning into a big jello pudding hulk. A sad display of cowardice but one also not all too surprising given their track record. 

    So no. A political espionage thriller isn’t happening. Not now and maybe not ever. But is there still room for a thriller of any other sort? A tense and grounded story focusing on a smaller scale adventure for any of the heroes in the MCU? Honestly, I’m not so sure about that either.

    Post-Endgame it’s been apparent that the once king of blockbuster film-making just isn’t what it used to be. While pre-Endgame Marvel movies certainly didn’t all hit, the general reputation of the MCU felt untouchable, hit after hit after hit, billions coming in at the box-office, it really felt like the MCU had the formula down. But post-Endgame the conglomerate seems to have slipped a bit. With their focus shifting to bigger and bigger slates of films and tv, the overall cohesion of the Universe slowly seemed to disappear and with it quality seemed to slip a little more as well. I wouldn’t say everything has gone to shit, that we’re watching an unmitigated disaster spin out of control until it reaches its inevitable whimper of an ending, but I do think the studio has, in an attempt to course correct, started relying too much on big spectacle moments to make up for poor critical reception, and those spectacle moments will end up leaving no lasting impact. 

    Yes, putting Red Hulk in your movie and then marketing his inclusion like crazy might compensate for the lack of audience investment in this world in the short-run, but it’s not gonna be a sustainable solution. You will run out of these characters eventually, there’s not an endless supply of glup-shitto’s in the Marvel Comics vault, and when you do, audiences will realize there’s nothing left for them in this universe, no cohesion, no stakes, no dynamics they love between characters they stan on twitter! Just a universe mistaking cameos for spectacle. 

    That same mistake is also what’s causing their Thriller problem – or lack-thereof I should say. Yes, you can give us a story about The Leader pulling the strings behind the US government as an all out world-war is set to break out, but if the stakes can only conclude in a big smash fest between Captain America and Red Hulk well then you kind of lose the tension you’ve been building (now a weak script and massive reshoots don’t help this case either but my point still stands). Same with “Secret Invasion”, which has arguably the worst finale of any Marvel project ever made with that god awful fight between Giah and Gravik forever stained upon this universe. Thrills can come from more than just bad Dragonball battles, more than power-scaling and smashing action figures into each other, especially when your entire story depends on tension on a much smaller scale!

    So can Marvel make Thrillers anymore? Probably! But there has to be some change before any of that can happen. The studio needs to take some risks. I know big studios don’t like taking those these days, but risks are what is going to get butts in seats in the long run. Risks make the audience engage in your stories and risks are how you build a franchise out. And yes that might cost money, yes you might not hit a billion with every movie you make, but you will have an audience left after your big expanding universe reaches its 20th year anniversary.

  • What To Read: Captain America – Brave New World

    What To Read: Captain America – Brave New World

    We live in a day and age filled with comic book adaptations. Movies starring our favorite superheroes, villains, anti-heroes and pulpy characters seem to pop up every month, tv shows adapting cult classic independent books are released so fast you can barely keep up with it and every now and again they even try to adapt the books we love for the stage (to middling success). Yet the stories that inspire these films and shows often get overlooked. The books that breathe life and color into these – often inferior – adaptations are sometimes completely ignored when a major studio gets their claws into them, a trend that frustrates me endlessly. That’s why I’m starting this series, where we look at upcoming comic book adaptations and discuss the books that inspired them, so you know what to pick up next time you’re in your local comic book shop.

    Today we’ll be looking at Captain America’s latest big-screen outing “Brave New World” and the books that inspired it as well as books that will supplement your Gamma radiated cravings after seeing the film. 

    All-New Captain America

    Sam Wilson’s first solo title as Captain America is immediately his best. This 6 issue mini-series written by Rick Remender with art by Stuart Immonen is exactly what you want from a book like this. It introduces you to this new era of Captain America with no-holds-barred action. Seriously, this thing opens right in the middle of the fight and just doesn’t let up the entire time, it’s really thrilling. Cap is sent on a mission against Hydra that sees him facing off against every pseudo-nazi Steve Rogers has ever faced. Having Sam stuck in this adventure that encompassess almost the entirety of Steve’s past is genius and a lot of fun, solidifying it as one of my favorite ways off relaunching a legacy character like this. 

    Sam is put through the ringer here as he’s thrown into the modern-day version of a Kirby and Simon era story, including evil super-nazis trying to take over the world with a ridiculous scheme and colourful interior pages. It’s clear that Remender really went for it here to prove just how worthy Sam is of the shield as he beats down 80 years of Cap villains in 6 issues. But the story doesn’t just use its incredible action to convince the reader of Sam’s competency. It does much more.

    The entire adventure plays alongside several flashbacks scenes that explore Sam’s past and instill the entire story with motivation as we realize more and more why Sam is supposed to be Cap. These flashback sequences aren’t just good to create that sense of morality that fuels Sam but it also gives readers a sense of Sam’s back story. Sam has a sort of convoluted past because of a retcon from a few decades ago but Remender uses this book to clean that up a little, making it easier to stomach as this new status quo for the character is ushered in. 

    “All New Captain America” is a non-stop action book great for new readers and old readers alike.

    Captain America: Sam Wilson

    Remender’s Sam Wilson Mini is followed up by Nick Spencer’s run on the winged Avenger, another solid entry in this character’s new status quo. While I think Remender’s mini is the better of the two, this book feels much more akin to his Live-action counterpart. The book focuses on more grounded issues compared to the “sci-fi nazis try to sterilize the entire earth using inhumans” of our previous entry, often commentating on real world events and the rhetoric present in 2016’s America (and also 2025 America sadly). But by tackling said issues in a heightened way the book still manages to be fun and engaging instead of simply depressing. 

    The book also features the origin of Joaquin Torres’ Falcon, who we will see more of in “Brave New World” after his Disney+ debut 4 years ago. I really like Joaquin as Falcon in the comics, he’s got a very fun, young, energy around him and the total ridiculousness of his origin story is something I mess with heavily. 

    Also present in this book which may or may not tie into “Brave New World” is the Serpent Society, a group of snake-themed evil doers who were originally featured in this new film but reshoots and rewrites seem to have done away with them for the most part. It’s not entirely clear what happened to them but if you wanna make sure you’re not missing out on any snake related activity in the film, make sure to check out this book since they’re the big bad of the entire thing.

    While this run is solid, it does tie into a bunch of other Marvel Universe stuff later on which might make it a bit of a tough read for those who aren’t fully engaged into that world-building yet. I recommend starting with the first 6 issues and seeing what you think before either continuing on or pivoting to one of the other books on this list!  

    Thunderbolts Red

    No, I didn’t confuse the next two MCU releases, I know we’re not talking about the “Thunderbolts*” yet. But the inclusion of Thaddeus Ross and The Leader in Brave New World make “Thunderbolts Red” (or Thunderbolts 2013) the perfect supplementary reading material as you prepare for the new MCU blockbuster. Especially Ross’ shines here, both in his role as a no-nonsense general and as the Red Hulk. Written by Daniel Way (and later Charles Soule), this run on the Thunderbolts is unlike any of the others sharing the name. While previous incarnations of the team focused on groups of (reformed) villains, this take on the character sees a group of anti-heroes coming together under the leadership of Ross to do the big scale stuff they can’t do alone.

    Their first mission revolves all around Samuel Sterns AKA The Leader, who might not be exactly as smart as you expect him to be in this run (or the color you expect him to be for that matter), but he’s still as dastardly as you want him to be (especially in the later half of this run once other writers take over the book). The Leader doesn’t necessarily have the most iconic line-up of books under his belt, so finding a run that prominently features him the way this one does isn’t as easy as you might think.

    This book is a ton of fun. Bloody, violent, action packed and filled with fun characters like Ghost Rider, Deadpool, Elektra and Punisher alongside the aforementioned Hulk characters. 

    Honorable Mentions

    There’s many more stories to get through as we prepare for Brave New World, but many of them might not be entirely relevant to the movie’s story. That’s why they’re in this little paragraph. I still recommend reading these stories, but if you don’t get through them before the film’s release it’s not going to affect your viewing experience. 

    Red Hulk was created in 2008 by Jeph Loeb and Ed McGuinness in the aptly titled “HULK” book, an unstoppable tour de force of a comic. Loeb has undoubtedly written some beautifully emotional books before but his Hulk run sure as shit isn’t that. I wouldn’t even really call this book good yet it is still very entertaining. Each issue whizzes by you like a freight train and before you know it you’ll be 12 issues in and pondering what the fuck you’re even reading about. If you have a Marvel Unlimited subscription and a free afternoon I’d highly suggest cracking this open and turning your brain off. But if you don’t have any of these, maybe let the book lay to your wayside.

    On the flipside I’d recommend reading Immortal Hulk, my personal favorite Hulk book ever written and one of the most solid runs the big two have had to offer readers in the last 20 years. Immortal Hulk, written by Al Ewing and drawn by Joe Bennett, is a body-horror thrill ride that introduces readers to a whole new mythology surrounding Bruce Banner. Sure, this isn’t focused on Captain America necessarily, neither is it too focused on Thaddeus Ross, but if we want a story that focuses all on Gamma then Immortal Hulk is the book to bat for. 

    A book I’ll always recommend people read if they want to get into Captain America is “United States Of Captain America”, a story all about what it means to be Captain America, a concept I’m sure Sam will struggle with as well in Brave New World. The book features both Steve and Sam suiting up as the titular red-white-and-blue hero but it also includes a plethora of other Captain Americas, both old and new. It’s a fun cross-country adventure that celebrates the 80 year history of Cap perfectly and introduces you to a whole new cast of fun characters.

    Are you excited for “Brave New World”? And If so, will you be checking out any of these aforementioned books in preparation? Let us know in the comments and give us a follow if you’d like to read more!