Tag: marvel-comics

  • Marvel Premier Format: Why Change A Winning Formula?

    Marvel Premier Format: Why Change A Winning Formula?

    Last year DC comics decided to launch a new printing initiative focused on reprinting their most iconic stories in smaller formats more akin to that of a regular Manga Volume. The much talked about launch was met with wide appraisal and stunning sales that seemed to prove what many consumers had been saying for years; Cheaper and smaller comics will sell better when you put them in more convenient places to buy. It was truly a breath of fresh air in the comics industry, after years of seemingly unresponsive initiatives from publishers it seemed like audiences were finally being listened to and in return DC made a shitload of money. The Compact Comics Initiative seemed to be a win-win for DC and comics as a whole. 

    Later on, Marvel decided that they too were going to jump on this bandwagon with their own line of smaller sized collections of some of their most iconic stories. The first wave of which is releasing this week, including the seminal Daredevil book “Born Again” and the first few issues of Ta Nehisi Coates’ run on Black Panther. Yet, while DC’s compact Comics Launch was hotly anticipated, it seems Marvel’s version isn’t off to such a hot start. I haven’t heard a single person mention these books coming out and I follow a sickening amount of people from the industry. No writer, nor artist, nor editor or journalist that I follow seems to be all that amped up for these books and quite honestly… I can understand why. 

    DC’s Compact Comics were a clear success. Their biggest and best stories for a good price of around 10 bucks and in a size that anyone can take along with them on trips or on their commute to work. It’s genius. Sure, It’s simple. But it’s genius. Yet a formula this simple seems like too much for Marvel Comics to wrap their head around, as they have seemingly decided to not learn a thing from their competitors’ success and instead just do their own baffling thing. 

    First off, Marvel has increased the price of these editions with 5 bucks, making their version of these Compact Comics a much steeper 15 bucks. This increase might not seem like a lot, but you’ll quickly figure out that every cent counts (especially these days) and that the increase seems to be for no logical reason at all. No, instead the price hike seems to be the result of an even dumber change made in sizing. DC’s format sports a nice 5.5” by 8.5” format similar to that of your standard paper novel, while Marvel’s version sports a much taller and wider size of 6” by 9”. That might not seem like much, but those half inches count for a lot. 

    People want to take this with them on the go. You want any random person, if they’re a comic fan or not, to see a book like this on the shelf and pick it up. Size and price are huge factors in this case, they might just be the most important factors. So I truly cannot imagine why Marvel ever assumed hiking both of these aspects up was such a good idea. Now your local 11 year old isn’t going to buy your Black Panther book anymore, he only got 10 bucks of allowance this month, thankfully there is a cool Batman book he can get for that price on the next shelf over. His Mom isn’t picking up your Daredevil book now either because it just doesn’t fit in her purse like her normal novels do. Luckily for her there’s a nicely sized Wonder Woman title on the shelf next to Marvel’s that does fit in her purse. These changes matter. 

    I’m obviously being a little silly here but my point is still clear. The Compact Comics had two huge selling points and Marvel has decided to just sort of ignore that in favor of something worse. Some might say that the price increase isn’t just because of the bigger format, since the book does also include quite some bonus material inside like Mazzucchelli pencils and Miller’s script for the Born Again book. While I’m really glad those extra pages are in there (The fact that Compact Comics got rid of such bonus material bugged me slightly) I don’t believe it should’ve had any real impact on the price. The Compact Watchmen edition included the entire 12 issue run, more than 400 pages, for the same 10 dollar price point as any other Compact edition while Born Again is 5 bucks more yet only has 300 pages. It just does not make sense, no matter how much bonus material is in there. 

    Yet my issues do not just end with the terrible price and size changes, I also think Marvel dropped the ball on their design choices here, mainly those hideous covers. Compact Comics have a very clear look. It’s color coded, sleek and stands out. The bright impact-like font pops out at you when it’s on the shelves and even the spines are eye-catching enough. Marvel opted for a different route. A very boring one. I do not know what the thought process behind the covers is, I imagine it’s an attempt to look more sophisticated since these books are “Premier”, but the end result looks more like a bland textbook you’d carry around in high school. Nothing screams excitement to me, there’s no action on display, no popping colors or iconic covers. Nothing about it is eye-catching. The stark white design and the badly faded out original covers slapped onto the front of the books are ugly and confusing. The thick red border at the bottom is plain and straight up boring to look at as it only highlights the confusing amount of different fonts thrown into your face. The spines are not nearly as striking as its competitors’ version, coming across as the more timid and scared little cousin of DC’s initiative. The cherry on top of this terrible cake is that horrible new Marvel Comics logo (Feige you will rue the day you started striving for brand synergy). 

    I get that Marvel is trying to hone in on a new sort of audience with these books, but I think they’ve forgotten that they’re still a comic book publisher. You can dress up the exterior as clean as possible, but once you crack open that book you will still see men in tights fighting evil villains and their henchmen. It’s okay to be a comic book, it’s okay to exude that fun energy that’s inside these books, that’s what they’re here for. If you’re trying to trick a different audience into buying your book this entire thing is gonna misfire in your face and you’ll be stuck with a few hundred boxes of “Premier” collections instead of the absolute success of the Compact line.

    A big issue with this idea for Marvel is also the type of books they have. DC just has a better library when it comes to stand alone minis that make for great material for these sorts of Collections. Marvel doesn’t really have their own version of “Batman Year One” or “Watchmen”. They have iconic, long running story arcs that you can’t squeeze into a format like this. The general audience outside of comics have always had this belief that Comics are this impenetrable web of continuity while that really isn’t the case, but showcasing them the first few issues of a 25 issue long run isn’t gonna calm their fears on that front. 

    I get that this isn’t the fault of the format. It’s really nobody’s fault. But it is a shame that Marvel didn’t even try to find more than one stand alone book at launch. Born Again is a great pick for an initiative like this. It’s singular, it’s popular and it’s coming out at a time when the words “Daredevil: Born Again” are plastered on posters across the entire globe. That’s smart marketing, and something DC doesn’t have to benefit from – not yet at least. Marvel truly has the characters to rival DC. Yes, they might have Batman and Superman – characters who’s name will forever be ingrained into our collective consciousness – but ever since the MCU, Marvel has really made some minor characters into household names. An Iron Man Premier edition would sell just as well as one of Batman’s compact editions, trust me on that, you just have to pick the right Iron Man story.

    Do I think this is gonna do well? Not particularly. Do I hope it’s gonna do well? Obviously. I love comics, the entire reason I started this page was to hopefully get some new people riled up about this industry the way I am, so if this initiative sticks I’d be happy to swallow my words. It’s not like everything is terrible about these books, the quality of the paper is really nice. The printing is wonderful and really does justice to Mazzucchelli and Scheele’s original coloring. Again, putting bonus material in there is lovely and a great way to get people familiar with the artists making this stuff behind the scenes, as they can often be overlooked by the general audience. I just hope Marvel manages to course correct over the next few months and have a nicer, more affordable set of books available come Christmas time.  


    What do you think of this new initiative? And are you planning on checking out any of the releases this week? Let us know on the socials and be sure to follow us as we’ll be delving into the future of Marvel’s Premier Collection and trying to find which books deserve to be published in this format as well.

  • What To Read: Your Friendly Neighborhood Spider-Man

    What To Read: Your Friendly Neighborhood Spider-Man

    We live in a day and age filled with comic book adaptations. Movies starring our favorite superheroes, villains, anti-heroes and pulpy characters seem to pop up every month, tv shows adapting cult classic independent books are released so fast you can barely keep up with it and every now and again they even try to adapt the books we love for the stage (to middling success). Yet the stories that inspire these films and shows often get overlooked. The books that breathe life and color into these – often inferior – adaptations are sometimes completely ignored when a major studio gets their claws into them, a trend that frustrates me endlessly. That’s why I’m starting this series, where we look at upcoming comic book adaptations and discuss the books that inspired them, so you know what to pick up next time you’re in your local comic book shop.

    Today we’ll be looking at Marvel Studios’ upcoming Spider-Man show: “Your Friendly Neighborhood Spider-Man”, the first ever animated Spidey show set to release under the MCU banner. The show sports a vibrant color scheme and a classic Spidey narrative wrapped up in a modern coating. The show’s aesthetic is clearly inspired by the first books on our list.

    Amazing Spider-Man by Ditko and Lee

    Yeah. This one feels sort of obvious. But it’s here for more than just that. Yes, of course every single adaptation of Spider-Man will harken back to the original stories shaped by Ditko and Lee. It’s an inevitability. But these original works are also the only comics that have been explicitly stated as a major influence on the show’s look by Showrunner Jeff Trammell. And that influence is not subtle. The bright look of the show and its vibrant classic character design are a clear indication that – at least in parts – this show will harken back to the 60s roots of the character. 

    Multiple episode titles of the first season refer to this era of Spidey comics, with both the pilot and the finale being named after seminal moments of Ditko’s time in the book. The Pilot titled “Amazing Fantasy” refers to Peter’s first appearance in “Amazing Fantasy #15” while “If This Be My Destiny…” refers to the iconic storyline of the same name which has been loosely recreated by Marvel Studios before in “Homecoming”.

    It’s always good to brush up on the origins of these classic characters, both the good ones and the bad ones, and “Your Friendly Neighborhood Spider-Man” is no exception. Doc Ock, Chameleon, Scorpion, Stephen Strange – they all harken back to that Silver Age of comic books – which funnily enough happens to be the golden age of Marvel if we’re being completely honest. We’ve seen many different books tell Peter’s origin as Spidey, and even more showing us the early days of his crime-fighting career, but none are as classic as Ditko and Lee’s time on the book.

    Yet, Lee and Ditko’s work can be tough to get through, it’s wordy. Very wordy. A trademark of the Golden age and Silver Age that has made it quite impenetrable for some modern audiences. I suggest reading this era one book at a time. Check out the characters you most like, read an issue at a time, take your time with them. These are stunning books, rich and fun, they are the groundwork on which all of this is built, all of these stories we love so much, don’t let some text get in the way of experiencing that. 

    Untold Tales Of Spider-Man

    Untold Tales Of Spider-Man” is on this list for similar reasons as our previous entry. It’s a good classic Spider-Man book chronicling Peter’s early days as the webbed wonder. Written by Kurt Busiek and drawn by Patrick Olliffe, Untold Tales sets out to fill in the moments between Lee and Ditko’s original stories, making it great supplementary reading material next to our previous entry.

    This is one of my personal favorite Spider-Man books, as it nails every beat a good classic Spidey story needs to hit. It has the big spectacular action beats as he fights classic villains like Vulture and Green Goblin, but it also focuses on the smaller scale day-to-day criminals, perfectly balancing a roster of A-tier evildoers and C-listers who might not always get the time of day they deserve. Having seen the roster of bad guys we’ll be getting in “Your Friendly Neighborhood Spider-Man” it seems the creators of the show share a similar love for the C-listers, as we’ll be getting appearances from The Unicorn, Speed Demon and White-Rabbit to name but a few names, while also featuring classic villains like Doc Ock and Norman Osborn.

    Identity Crisis

    Back in 2022, Marvel Studios’ animation department had their big Comic-Con panel in which they revealed a ton of exciting stuff, among them was a whole bunch of cool tidbits about “Your Friendly Neighborhood Spider-Man” (still titled Spider-Man: Freshman Year back then). Among those exciting pieces was one of Leo Romero’s amazing line-up shots featuring a bunch of different suits the webhead would be wearing in season 1, including 3 suits heavily featured in the “Identity Crisis” storyline.

    “Identity Crisis” – written by a group of writers including J.M. DeMatteis and Howard Mackie, with art by artists like John Romita Jr and Joe Bennett- follows Pete as he’s figuring out how to deal with one of Osborn’s more nefarious’ attacks. He’s been able to completely sully the Spider-Man name by framing him for murder, meaning Peter has to find some new alter-ego’s while trying to clear his name. Instead of going for the usual black suit or just laying low for a bit, Peter decides to create 4 distinct new super-hero personalities, all with their own distinct function, to fill the spider-sized hole in his life.

    From the show’s episode titles we can safely assume it’s third episode, titled “Secret Identity Crisis” will somehow focus on the “Identity Crisis” storyline, but in what shape or form that will manifest remains to be seen.

    Honorable Mentions

    There are a few more titles that I see as potential influences on the show, but I’m guessing they might not be as important as others on this list or even be bad guesses on my part which is why I’m putting them in their own little category.

    Based on the show’s premise as an early days Spider-Man story I’d feel it’s always a safe bet to read 2015’s “Spidey” run by Robbie Thompson and a rotating team of artists including Nate Stockman and Nick Bradshaw. That 12 issue run focused on a more modern-day retelling of the first adventures of Peter as Spider-Man and explored not just his own world of villains and supporting characters but also introduced the webhead to many different corners of the Marvel Universe as he teamed up with heroes like Iron Man and Black Panther. I’m sure the two versions of Pete’s early days will be similar in tone, making it a fun little read while you wait on more episodes to release each week.

    We know Pete will meet other heroes of the Marvel Universe in this new show as well. We’ll see Daredevil, Doctor Strange and Iron Man in the show to name but a few names and his supporting cast is filled with familiar faces like Amadeus Cho and Nico Minoru. I wonder if this means we can expect the show to pull from Pete’s time leading Marvel’s “Team-Up” books from the 70’s to mid 80’s. For a more modern take on this concept, check out “Avenging Spider-Man” from 2012, which saw Pete team-up with a bunch of characters from all sides of the Marvel Universe.

    In the episode titles we can also find references to the “Big Time” initiative of 2009, which jump started a new day and age for Slott’s time on the Amazing Spider-Man title. I don’t expect there to be any real influence in “Your Friendly Neighborhood Spider-Man” that can be traced back to “Big Time” but the inclusion is certainly suspicious.


    Are you excited for “Your Friendly Neighborhood Spider-Man”? And If so, will you be checking out any of these aforementioned books in preparation? Let us know in the comments! And give us a follow if you’d like to read more of my thoughts on Marvel Studios’ latest attempt at reinventing Spider-Man.