Marvel Studios’ latest cinema release, “Captain America: Brave New World”, is the umpteenth film in a long line of projects developed by the movie-conglomerate to disappoint fans. While there are many factors to consider in the film’s critical failure – some just and others unjust – one of the most prevalent points I keep hearing online is the unmet expectation of an “Espionage Thriller”. People seem to be champing at the bit for a gritty spy flick that takes the bureaucracy of the Marvel Universe and runs with it to create a tense, world shattering, conspiracy that only the heroes of this world can fix. That craving has been prevailing for years now while films and series released under the MCU banner promising to deliver on this specific genre more often than not end up being quite bad. We’ve seen it with “Secret Invasion”, a spectacular misfire that tried to turn the gigantic comic book event of the same name into a small scale conspiracy story to little success, and before that we also got the solo Black Widow film that seemed to be interested in relighting this gritty fire missing for so long. While that movie certainly isn’t as bad as “Secret Invasion” was, it definitely wasn’t great either; quickly falling back into the studios’ worst habits and turning into a generic action film with forgettable set pieces. So why are MCU fans still hung up on this genre if the studio can’t seem to ever get it right? Why do they think Feige and his creative partners are even capable of making a film of that kind?

Well before we can even answer that question I say we need to take a step back and ask a bigger question instead; “Has Marvel ever made a real espionage thriller?”. I say Yes and No. You see the MCU and its hordes of fans have been chasing one high ever since 2014, hoping to fill the “Captain America: The Winter Soldier” sized cavern left by the studio. A movie so good it might end up being a negative for the MCU in the long run. “The Winter Soldier” was something so incredibly fresh, so invigorating and cool, that fans have elevated their standards to such a degree that any and all attempts at recreating the magic have fallen on deaf-ears. But, and pardon my bluntness, do MCU fans really know what they’re talking about? Or have they been chasing an unachievable high left by a film that never even really existed in the way they remember? I think so. See I agree that“The Winter Soldier” is good, it’s a tense mystery filled with great action, but any great Espionage Thriller needs that bit of realism embedded in it to create stakes. It needs to grip you, relate to you and the fears you have about the world. It needs to take from real world issues and use that to create something gripping and tense. It needs politics, an identity, maybe a little anger aimed at the world as it is. But “The Winter Soldier” has absolutely nothing to say about anything besides a surface level “good vs bad” narrative. Sure, inspired by actual political thrillers from the past like “All The President’s Men” and “Three Days Of The Condor”, “Winter Soldier” might make you feel like you’re watching something meaningful, but it’s only ever an emulation of said genre rather than actually trying to be it.

The MCU is maybe one of the most apolitical worlds you’ll ever see on the big screen, where any real world conundrum about race or war or equality or every other very basic surface level political interest is reduced to a minor hurdle in the road to a large world ending threat or even ignored all together. I can’t remember the last time one of these movies actually used it’s heightened – super – version of reality to put a mirror up to the real world, not even using it’s super-powered foundation as an allegory for real world problems, which is probably one of the MCU’s most apparent short-comings given that almost every comic book that’s even come close to being lauded a masterpiece by general readers builds entire narratives around that exact enhanced mirror. It seems Feige and the upper-creatives at Marvel Studios are desperate to say as little as possible, often only saying things when convenient for them rather than for any artistic reasoning. 

“But Ghost, The MCU is built on a foundation of social commentary, didn’t you see Iron Man! He hates weapons!” I hear you yell at your digital screen, and yes, Iron Man certainly tries to say something about… war I guess? That making weapons is bad… unless you use the weapon yourself? I think that’s what Iron Man tries to say, I can’t be sure though as any meaningful – though very confusing and muddled – message you try to squeeze out of the first Iron Man film is in fact buried underneath a thick layer of genuine US Military propaganda. I know I’m far from the first person to have spoken about this but Marvel has on numerous occasions (including on the production of “Iron Man”) actively worked with the US Military for their films, including giving the Department Of Defense final say on the film’s script in exchange for access to real military equipment for the film’s production. Marvel traded their entire artistic integrity just to pay a little less. A spineless decision for a quick buck. 

Now I don’t want to get ahead of myself here but… I feel like we’ve sort of found ourselves at the root cause of this issue fairly quickly. It’s money, because of course it is. I know, I know, what a boring conclusion to come to, but I can’t help that we are living in a world built atop a foundation of currency over humanity. When you make art with the sole purpose of making money from it, you’re gonna end up saying nothing, because saying something means you’ll undoubtedly step on someone’s toes – and that person is not paying for a ticket to see your next film about a purple guy trying to kill a spider-guy. You can only make billions by making movies for everyone, which means you have to also appeal to everyone, thus saying nothing in the process. Because if you didn’t appeal to everyone, you’d end up only making hundreds of millions of dollars at once, and who’d want that when you could be making a billion instead? 

There is honestly only one MCU project that I believe dares to say something even remotely controversial ; “The Falcon and The Winter Soldier” (coincidentally a project independent from Box Office numbers since it’s a streaming series not a cinematic release) A story all about a black man becoming Captain America, this show simply couldn’t not make a statement about race and what it means to be black in America. By mirroring the real life vitriol Sam Wilson (and in extension Anthony Mackie) got for portraying the new Captain America, this show was the only thing actually willing to take a stand against that hate and by adding Isaiah Bradley to the story the show also managed to use that enhanced mirror I mentioned previously to create a really solid series. Sure, the political commentary isn’t all that scathing and falls on deaf ears for a lot of its run time, but even a small step in the right direction will get you to where you need to be eventually. Yet then, when it’s time to give Sam his own solo film, when it’s time to put Isaiah on the big screen and to continue making that same statement, the studio instead flops over into something else, a spineless film about nothing. Absolutely nothing. In a time where elections are maybe the most important they’ve ever been, Marvel studios makes a film about the president turning into a big jello pudding hulk. A sad display of cowardice but one also not all too surprising given their track record. 

So no. A political espionage thriller isn’t happening. Not now and maybe not ever. But is there still room for a thriller of any other sort? A tense and grounded story focusing on a smaller scale adventure for any of the heroes in the MCU? Honestly, I’m not so sure about that either.

Post-Endgame it’s been apparent that the once king of blockbuster film-making just isn’t what it used to be. While pre-Endgame Marvel movies certainly didn’t all hit, the general reputation of the MCU felt untouchable, hit after hit after hit, billions coming in at the box-office, it really felt like the MCU had the formula down. But post-Endgame the conglomerate seems to have slipped a bit. With their focus shifting to bigger and bigger slates of films and tv, the overall cohesion of the Universe slowly seemed to disappear and with it quality seemed to slip a little more as well. I wouldn’t say everything has gone to shit, that we’re watching an unmitigated disaster spin out of control until it reaches its inevitable whimper of an ending, but I do think the studio has, in an attempt to course correct, started relying too much on big spectacle moments to make up for poor critical reception, and those spectacle moments will end up leaving no lasting impact. 

Yes, putting Red Hulk in your movie and then marketing his inclusion like crazy might compensate for the lack of audience investment in this world in the short-run, but it’s not gonna be a sustainable solution. You will run out of these characters eventually, there’s not an endless supply of glup-shitto’s in the Marvel Comics vault, and when you do, audiences will realize there’s nothing left for them in this universe, no cohesion, no stakes, no dynamics they love between characters they stan on twitter! Just a universe mistaking cameos for spectacle. 

That same mistake is also what’s causing their Thriller problem – or lack-thereof I should say. Yes, you can give us a story about The Leader pulling the strings behind the US government as an all out world-war is set to break out, but if the stakes can only conclude in a big smash fest between Captain America and Red Hulk well then you kind of lose the tension you’ve been building (now a weak script and massive reshoots don’t help this case either but my point still stands). Same with “Secret Invasion”, which has arguably the worst finale of any Marvel project ever made with that god awful fight between Giah and Gravik forever stained upon this universe. Thrills can come from more than just bad Dragonball battles, more than power-scaling and smashing action figures into each other, especially when your entire story depends on tension on a much smaller scale!

So can Marvel make Thrillers anymore? Probably! But there has to be some change before any of that can happen. The studio needs to take some risks. I know big studios don’t like taking those these days, but risks are what is going to get butts in seats in the long run. Risks make the audience engage in your stories and risks are how you build a franchise out. And yes that might cost money, yes you might not hit a billion with every movie you make, but you will have an audience left after your big expanding universe reaches its 20th year anniversary.